How to make a tree from the lorax
Seuss-rific DIY Truffula Tree Projects For Kids & Adults – FandomSpot
Based on the Dr.Seuss book of the same name, the Lorax movie revolves around a mystical creature who serves as the guardian of a forest – of truffula trees.
These trees are not just any trees. They’re made of the fluffiest material in the land, even softer than silk.
And now you can create your very own iconic truffula trees with these fun and colorful crafts.
1. All Truffula CraftsPhoto credit
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The most characteristic part of the truffula trees, aside from the fact they’re made of the most exquisitely soft material, is that they are wonderfully vibrant and colorful.
Seeing all these trees together in the Lorax movie… it’s like looking at a brilliant sea of color.
Recreate the magic at home with these super simple truffula crafts. Using paper plates, colored tissue paper, craft paint, and craft sticks, you can get started on these surreal-looking decorations to brighten up any room.
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Truffula trees in this DIY bowl project will certainly add a softer touch to your design.
Create your own little truffula scene with this fun display which can make a great decoration for any party.
Made with just yarn, black and yellow pipe cleaners, scissors and a fork, you can make this on your own and use the bowl for anything. Dr. Seuss created a world that you can make yourself or with your kids.
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For a more life-like truffula tree project you’ll want to have a go at this life-sized tree decoration.
Turn your room(or your kid’s room) into a fantasy world by introducing these colorful trees.
Whether you’re hosting a fun Dr. Seuss themed party(you definitely should) or just looking to add a splash of color and character to a bedroom, you won’t find a much larger project than this one.
With pool noodles, feather boas, duct tape, jewelry wire and scissors you’ll be able to bring these magical trees indoors.
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Incredibly easy to make, these fluffy trees are a great idea for an enjoyable family craft over a weekend.
These soft little trees make for a fun plaything for young children, or even just as a cool decoration to have at home.
Grab a styrofoam ball, feather boa, dowel, some white paint, a pencil and hot glue and you’ll have all the materials you need to get cracking.
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Bring a breath of fresh air to any kid’s room or nursery with these incredibly simple and easy to make Truffula trees. I find these designs are especially pleasing on the eyes.
Colored tissue paper, construction paper, tape, scissors and pipe cleaners are necessary for these – either small or large – colorful craft trees.
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With the added bonus of looking like delightfully delicious cotton candy, these vibrant and fluffy DIY truffula trees should be an essential craft for all families with young kids.
An interesting craft for kids to get lost into for hours, these DIY trees are slightly different using cotton as the main material for the softer-than-silk part of the tree.
Along with cotton balls, get ahold of some colorful striped straws for the tree trunks and some liquid water colors to inject the appropriate amount of life into the cotton balls. Then finally snatch up your trusty hot glue gun and go to town.
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Full-size truffula trees you say? Sign me up!
While it’s fun to have a cute display of smaller truffula trees as a decoration, it’s definitely cooler to imagine you’re actually in the breathtakingly beautiful truffula tree forest from the book or movie.
The only way to actually recreate the sensation you’re looking for is by making something akin to these full-size imitations. And thankfully this entire project is easy to follow step-by-step.
8. Truffula Lorax ProjectPhoto credit
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Maybe lengthy DIY crafts aren’t your specialty. Maybe you spend a lot of time looking at lists like this one appreciating the amazing DIY projects on show, without actually trying one for yourself.
Well this item is as good an opportunity as ever to get in on the action.
This truffula project is hands-down the easiest way to add some Dr. Seuss magic to your home. It’s also the best way to ease yourself into DIY work.
This project is designed to stick onto any window with tape to greet visitors in the best way possible.
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If you haven’t already got a Dr. Seuss themed party lined up after reading this list so far, then you should definitely get on it now.
This party Truffula project craft will have your home looking like the sanctuary of the very Lorax himself.
Turn your home into a Truffula tree forest with an easy DIY process.
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Another perfect party craft, these Truffula tree decorations are eye-catching in all the right ways and will certainly add life to any party.
Looking like magical and colorful plants in their plots, this neat craft is made with tissue paper pom poms, metal buckets to act as pots, pool noodles, various types of wood and other general craft materials.
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Showing that pool noodles can be so much more than just swimming aids and floating facilitators, this easy Truffula tree craft is ideal for that bare wall in the nursery or kid’s room.
Sure you could use wallpaper or paint the walls yourself. But these Truffula trees are so much easier and make the room so much more playful and just… imaginative!
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Last up is a fun kids craft designed for all ages.
After all, if the kids can’t get involved in a project about a Dr. Seuss story then something’s wrong here.
Fittingly simple to make, this project consists of pipe cleaners, yarn, pom poms, a hot glue gun and some green playdough.
Quite an enjoyable way to spend some time crafting with the kids, and if you want an easy starter DIY project this one is a solid choice.
Make This Easy Dr. Seuss Truffula Tree Craft For Kids
Celebrate Dr. Seuss and The Lorax by making this simple truffula tree craft for kids.
It’s nearly Read Across America Day, which means kids everywhere will be celebrating Dr. Seuss and his many amazing, quirky and fun stories!
In the past to celebrate we’ve made fun headbands and bookmarks for kids. Today, we’re making a super simple, super fun truffula tree to get into the Seuss spirit.
Read on below to see how to make them with your kids or students.
Related: 101+ Easy Kids Crafts
Easy Truffula Tree Craft
This post contains affiliate links for your convenience. You can read my full disclosure here.
- Jumbo yellow popsicle sticks
- Black marker
- Embroidery thread (in pink, yellow and blue)
- Hot glue and hot glue gun or extra strength glue dots
Place the yellow craft sticks on a paper plate and color thin wavy lines across each one.
Using one color of embroidery floss, wrap the entire pack around three fingers.
Slide your fingers out and tie the end in a double knot around the center.
Cut the loop on each side to make the truffula tree tufts.
Repeat for each color embroidery floss.
Use the glue gun or glue dots to secure the tree tuft to the top of the striped craft sticks.
That’s all you need to make your own simple Dr. Seuss art project.
Related: Handprint Thing 1 Printable Craft
Making This Craft In The Classroom
If you’re planning on making this craft in the classroom, we’d suggest it for ages 8 and up.
If you do want to make this craft with younger kids, you’ll need to have adult assistance. Coloring the popsicle sticks is easy enough for children of any ages, but making the truffula treetop is the trickier part.
You could always make these ahead of time and then just have the kids glue them on when they make the craft.
Alternatively, you could use large pre-made pom poms in place of tying them yourself.
Share With Us
Did you make these truffula trees with your kids or students?
We’d love to see how they turned out! Snap a quick picture and post it to our Facebook page or join our private Facebook group and share it with us in there.
More Easy Activities For Kids
- Fluffy Chick Craft For Kids
- Dr. Seuss Paper Plate Fish Craft
Dr. Seuss Ideas For Kids
- Jumbo yellow popsicle sticks
- Black marker
- Embroidery thread (in pink, yellow and blue)
- Hot glue and hot glue gun or extra-strength glue dots
- Place the yellow craft sticks on a paper plate and color thin wavy lines across each one.
- Using one color of embroidery floss, wrap the entire pack around three fingers.
- Slide your fingers out and tie the end in a double knot around the center.
- Cut the loop on each side to make the truffula tree tufts.
- Repeat for each color embroidery floss.
- Use the glue gun or glue dots to secure the tree tuft to the top of the striped craft sticks.
By Author Sam
Posted on Last updated:
Categories Kids CraftsTags Dr. Seuss crafts
Details about the film "Lorax". How the film was made, the history of creation and the difficulties of filming
Information about the film
The Lorax is a funny and exciting journey, emphasizing the importance of a balance between nature and progress. The film revolves around the Lorax, a hilarious and lovable character who is willing to go far to protect the forest and its inhabitants. After Findykins cuts down the tree, an angry Lorax emerges from behind the stump with an ominous warning.
The meadows of the Truffle Valley are filled with various animals - from the soaring Fire Swan to the melodic Singerfish. The cutest inhabitant of the valley is a bear-like creature called Barbalut, who roams among the Truffle Palms.
The Lorax's job as keeper of the forest is suddenly threatened when the ambitious Findkins cuts down the Truffle Palm and threatens to cut down more to further his evil plan. Angered by such harmful behavior against nature, Lorax comes into conflict with Findkins. Each tries to get rid of the other, but over time they are saturated with mutual sympathy for each other. As a result, the Lorax cannot share and understand the greed and ambition that are beginning to take hold of the Findkins, who will stop at nothing to build his factory, even if it means cutting down every last tree in the valley.
Many years later, in a world where there are no living trees, Ted ventures out of his fully industrialized city called Allnuzhville and sets out on a journey to find Goodkins and find out where he can find the tree so he can bring it home and give it to the girl. Audrey's dreams
The film will be released in the US and Canada on March 2, 2012, the 108th birthday of Dr. Seuss.
The Lorax: Dr. Seuss' Favorite Book
Top-selling children's book creator Theodore "Dr. Seuss" Geisel wrote books loved by children around the world, published in 95 countries and translated into 17 different languages. The legendary American author has achieved incredible success with more than 500 million of his books sold worldwide.
The author did not immediately start his career as a children's writer under the pseudonym Dr. Seuss. Prior to that, he worked in advertising and drew political cartoons. Dr. Seuss explained the importance of writing books for a children's audience as follows (in an essay published in 1960): “What children read and what children think about is the basis on which the state will grow. Or it won't grow. In these days of tension and turmoil, authors are beginning to realize that books for children have the greatest potential of any other book to explain what is evil and what is good. ”
In September 1970, Audrey wanted to help her husband overcome his creative block and direct his discontent and negativity in a different direction, against the excess consumption that reigned in the society around him. She offered to go on a trip to East Africa. It was on this journey that the writer saw elephants descending the mountain slope of the African mountains of the Serengeti National Park, inspiration came to him, and he wrote The Lorax. Seuss wrote 90% of the book on the same day on what came to his hand - blank forms from the laundry.
What Suze writes about always involves illustrations. The trees of the Serengeti Park formed the basis of the Truffle Palms described in the book. For the first time in her book, Seuss changes the color scheme of the Lorax from primary colors to lilac, plum, grey-green. Seuss says that he decided to use such colors in the description at the suggestion of his wife, and as a tribute to her, who inspired him to write this book, he dedicated the book The Lorax to her and their two daughters, Lark and Leah.
When the book was published in the autumn of 1971, the plot of The Lorax was ahead of its time. It wasn't until ten years later that an active environmental movement arose, and with it, so did the popularity of the book. Readers of all ages found themselves in the story of a boy who was looking for answers to questions about what happened to the trees.
The Lorax has become the premier book for teaching and inspiring children to make a difference in their lives. It is worth noting that The Lorax book is included in the list of "The 20 Best Educational Children's Books of All Time". Dr. Seuss himself said that of all the books he wrote in his entire life (until his death at 1991) "Lorax" was his favorite.
ABOUT THE MAKING OF THE MOVIE
From the Pages to the Screen: The Return of the Lorax
The relationship that Meledandri and Audrey Geisel developed on the production of the animated film "Horton" led to the decision to make a film based on another work of Dr. Seuss - the book "The Lorax" ". Meledandri gives the backstory: “The idea to make The Lorax after Horton was actually Audrey Geisel herself. We discussed wanting to do another film together, and one day she came to me and said that she wanted to do this film. She explained that The Lorax was Tad Geisel's favorite book, moreover, it was dedicated to her. She had a special reverent love for this book, and also felt a particularly close connection with the story told in the book.
The producer thought very seriously about the seriousness and importance of adapting a book with such a moral message. He explained, “I sat through this book for quite some time and then showed it to my colleagues at Illumination. As with all of Seuss's work, it was imperative to find a certain way to tell this story with reverence. It took us almost half a year to understand whether we can successfully cope with these or not.”
The Lorax is the fourth film that Meledandri directed with writers Cinco Paul and Ken Daurio. The screenwriting duo worked with him on Universal's films Despicable Me and Big-Eared Riot, but their first joint project was Horton. They understood and knew the world of Dr. Seuss well and how to bring it to the big screen.
The responsibility to properly honor such a talented writer was enormous, but so was the opportunity to recreate a colorful and imaginative world on screen. Meledandri said: “Dr. Seuss had perhaps the most imaginative mind of anyone who lived and worked in the 20th century. His worlds are whimsical and playful, the characters are incredibly touching and endearing right away. He wrote these charming stories with themes and ideas that never get old."
In addition to them, Oscar-nominated Chris Renaud, who also worked on Despicable Me, joined the team again. When asked about how Dr. Seuss influenced his life, he told us the following: “Seuss has been a part of my life since childhood, and his stories, especially The Lorax, I told my children later. He teaches us that the world is big, despite the fact that each person is able to change something in it. Such thoughts are remembered. If as a child this thought was postponed in you, it will remain with you forever.
The Lorax is a well-loved and well-known book that serves as a reference for many young readers. To create a feature-length film and draw the viewer into the story, you need to isolate each character in the book and recreate the world around them. The scriptwriters did not have the task of rewriting the story, they sought to supplement it with what happened before the events of the book, and what happened after.
Filling these gaps proved to be a difficult task. The director recalls how it was: “I wanted to stay true to the original material of the book in order to pay tribute to the author, but the story needed to be expanded to be enough for 9A 0-minute film that doesn't look like a children's book at all. We had to decide how to not just take the iconic characters of the book and its world and turn it all into a film, but rather push the boundaries of this world, increase it.
Luckily, Seuss gave them the perfect starting point. “The moment where the Findkins throws the seeds to Thad felt like the perfect time to push the boundaries of the story, we thought that here we could describe that part of the world of this story, in addition, we decided to tell the beginning of the story of the relationship between the Lorax and Findkins,” said the director.
The Lorax is a book so dear to the hearts of readers that attention to detail was incredibly important. Renault said: “We knew what the Lorax looked like. Based on the drawings in the book, we needed to make it 3D." To further flesh out the world of The Lorax, Daurio and Paul imagined the world of the town of Vsemnuzhville, paying attention to the smallest details in the book. “In the corner of the first page of the book was a small picture of the city where Ted lives. We took this picture as the basis of Allnuzhville.
Who is who in the Lorax world?
From a huge shaggy meatball to a 12-year-old boy and the girl of his dreams, the world of Truffle Valley and Omninuzhville is populated by various heroes and creatures. The descriptions below will help you figure out who is who.
• The Lorax (Danny DeVito) - guardian and protector of the forest. He is short, grouchy and on his mind (all this lies inside a cute fluffy animal). As keeper of the forest, the Lorax faces the challenge of Findkins threatening to cut down all the truffle palms to implement his ambitious business plan. He tries to drive Findkins out of Truffle Valley and warns him that if he disturbs nature, she will hit him back.
• We meet Findkins in his old age, when he lives a bitter recluse in an old, creaky shack ( Lerkim ) outside of Allnuzhville. He is the only person who can tell Ted about the Lorax, the real trees, and what happened to them. We then flash back in time to when the young Findkins rides his donkey Melvin to Truffle Valley in hopes of making a fortune. After an unexpected skirmish with the Lorax, Findkins promises that he will no longer cut trees. But when the temptation of profit and the passion for wealth take over him, he cuts down all the trees to the last! The elderly Findkins explains to Ted that he did this in order to create Allnudes (an amazing product that can replace a thousand things).
• Ted Wiggins is an impressionable boy who is looking for a real tree to win the heart of the girl of his dreams, Audrey. To fulfill her wish, he will have to learn the story of the Lorax, a grumpy yet charming creature who fights to save his world. Ted realizes that the fulfillment of Audrey's dream and the fate of Allnuzhville depend on his search for the real tree.
• Audrey is Ted's neighbor who dreams of seeing a real tree. She has a free spirit and is very passionate about the world around her. She paints the walls with incredible Truffle Palms that she has never seen before. She flirts with Ted, who "accidentally" throws his toys into her yard, realizing that he likes him a lot.
• '''Aloise O'Here''' is an incredible and comically short villain. O'Ger made a fortune selling fresh air to the people of Allnuzhville. His factories pollute the atmosphere, allowing him to cash in on the sale of fresh air and making him a millionaire. He leads his empire from a huge airship hovering over the city, and he is always accompanied by two big men, Mooney and McGurk. He has something to lose if real trees reappear in the city and fresh air becomes available to everyone again.
• Despite her age Granny Norma is full of life and energy. She remembers the days when trees were plentiful, and she longs to help her grandson Ted restore harmony with nature in Allnuzhville. It is she who advises Ted to find Findkins, because only he can tell the story of the Lorax and the trees.
• Ted's mom is an average resident of Allnuzhville, fully accepting all the conditions of the albeit cheerful, but artificial world around. She is puzzled by the behavior of her mother, Granny Norma, and Ted, so she keeps an eye on both. But when her family is in danger, she does everything she can to protect them.
• Adorable bear-like creatures that live tumbling among the Truffle Palms, playing and eating fruit, Barbaluts are unarguably the cutest creatures in the Valley. Lou is the eldest, and Tinytooth is the youngest and clumsiest member of the clan. He loves two things - marshmallows and drooling while sleeping.
• Flying in flocks over the Truffle Valley, Fire Swans can be recognized by their graceful necks and noble breasts. They can nest anywhere from light fixtures to a bowl on your table. Cross-eyed Bill is the youngest of the pack, the funniest and cutest
• You can hear the characteristic sound of the Singerfish from afar. Finn and Jill are especially fond of truffle pancakes, much like drinking water from a Newhodkins hot tub. But if you decide to litter their pond with all sorts of rubbish, you will have to deal with the evil Lorax.
Charming Grunt: Voice for the Lorax
When casting actors to voice the characters in The Lorax, the creators looked at a huge amount of material. They didn't just want to find the perfect actors for the film, they wanted to find people who would be the perfect incarnations of the legendary Dr. Seuss characters.
Producer Healy revealed that a lot of what the animators did was based on the actors' voices. “The animators studied the actors as they spoke their lines, noted certain nuances in the expression of each of the actors and brought them into the film,” she said, “that's what makes the characters come alive. They constantly observed the actors and noted the unique features of each of them in order to give these features to the character they voiced.
The gruff but funny Lorax is voiced by legendary comedian Danny DeVito, who entertains television audiences every week as Frank Reynolds on It's Always Sunny in Philadelphia. For the filmmakers, DeVito's voice epitomized the sly and domineering yet charming Lorax. Meledandri told us: “The challenge in casting this particular character was that he had to be both repulsive and charming at the same time, he had to be witty and funny grunting, while being incredibly sweet. Danny, with his amazing talent, was perfect for this role. "
Renault agrees: “There was no second option. We actually had a picture of the Lorax, we put Danny's voice over it. He lay down perfectly. Nobody had any doubts. We realized that he is what we need.”
A film and television actor, DeVito is known for his role in the weekly television series Taxi, as well as his roles in high-grossing films such as Romancing the Stone, Endearing Language, Ruthless Men and Big Fish. The work of dubbing an animated film is not new to him. His work on the super popular Disney animated series Hercules was easy for him, but immediately won the attention of the audience.
Father of three Danny DeVito is himself a fan of Dr. Seuss's books, but he is also an environmentalist. When the actor first saw sketches of the Lorax character, he wanted to work on this project even more. Here is what he said himself: “When you voice a character that you love, you experience special feelings. All of Dr. Seuss's books are interesting, some even touch on politics. I myself am a supporter of forests, and I want everyone to take care of them. Chris brought me a drawing of the Lorax and I knew right away that it was a great character. I really liked that this is a very energetic character, and I immediately jumped at the opportunity to participate in the work on this film.
DeVito also believes that the Lorax is a symbol of something that exists in each of us: “It is unique, there is no such being, but at the same time there is a part of it in each of us. He's a spirit that constantly tells us, "Don't throw it on the ground, throw it in the trash" or "You know what? I think that's enough sugar for today. It's time to eat an apple."
DeVito is the first animated film actor to voice a role in multiple languages
Finding dubbing actors for the main roles outside the US is always a huge challenge, because it is important not only to give a voice to an animated character, but also to preserve the performance inherent in the original actor. The character that DeVito created in the English version was so compelling that the team wondered if he could deliver the same posh voice in other languages.
DeVito was approached with a seemingly unrealistic request to voice the character in other languages as well. Despite the fact that DeVito is not fluent in any foreign language, he agreed, because he is always ready for new challenges. He dubbed the film in Spanish, Italian, Russian and German. Incredible as it may seem, he managed to convey not only local dialects, but also to get into a clear comedic pace inherent in each of the languages.
Reno recalls: “Danny accepted an incredible task, and in doing so, strived to bring everything to perfection. He worked with local filmmakers and linguists. Speaking different languages, you understand that it's all about small nuances and sound. Getting it right is not easy at all, especially in multiple languages. I immediately said that no one can voice the Lorax better than DeVito. And now people around the world will be able to see it.”
Celebration and Inspiration: The Lorax Visual Style
Due to the fact that with the work of Susa Meledandri, Paul and Daurio became intimately acquainted with the production of the animated film "Horton", they well understood all the nuances of the author's work. For the characters and scenes that went into The Lorax, the whole team and Reno insisted on one thing: follow the spirit of the book in everything. Additional plot twists, characters, and scenery had to be imbued with the inherent spirit of Seuss, everything had to fit clearly into the world created by Gazel.
In addition to making sure that all the images were consistent with Seuss's work, there were moments in the Lorax that Geisel used for the first time in this particular book. He departed from his usual color palette and used colors to emphasize the disturbed balance of the world, where there are no trees at all.
Meledandri recalls: “When we brought this story to life, we used new images and pictures. Our artists understood Ted's style very well, so here we kept the integrity. The author departed from the usual color scheme, traditional for his previous works, and used colors that were new to him, which were a surprise to his publishers. In fact, the choice of colors was very much influenced by Audrey, especially when you read his description of the colors of the sky. There is deep lilac, new shades of blue, all to show the ominous sky.
Designer Yarrow Cheney, who created the twisted universe of Despicable Me, returned to the team to work on The Lorax. He explains his choice of palette for making this film: "Our task was to familiarize ourselves with the book, with the colors, shapes and characters used there, and understand what is special in all the details created by Dr. Seuss."
Naturally, starting from the book in their work, the team wanted the story to look bright and colorful on the big screen, but at the same time to illustrate in tone the destructive things that Findkins does to the world. At the beginning of the book, we see a magnificent, primary-colored universe from Findodkins' past, and later we meet the dilapidated, gloomy world that Findodskins turned that beauty into by cutting down all the Truffle Palms. In the film, we see the city of Vsemnuzhville, in which a subtle satire of the modern world can be traced.
Vsemnuzhville is by no means a city that Ted, his mother, Audrey, Granny Norma and everyone else finds unpleasant to live in. Reno said: “We decided that we would make Vsenuzhville a pleasant place. It's like Vegas, Disneyland or Abu Dhabi. We imagined ourselves there and we had fun. There are flaming bushes and mechanical flowers and trees, there is no natural nature at all. Everyone seems happy, they have everything they want, from big cars to robots and other mechanical devices. But soon the question of ecology rises squarely. All this, of course, is convenient and wonderful, but where is the balance with the nature of the planet? How to keep him?
If in the book Vsemnuzhville flashes only on a few opening pages, then in the film he is given much more attention. The director told us, “The world of Vsemnuzhville is one of the biggest additions to the film. It was modeled very intricately, there were many colors in it, this is a very unusual complex place. Creating this city was a very important task, which helped to convey the essence and plot of the book, because through it we showed the changes that have taken place in the world.”
Ted's journey begins at the moment when he leaves not far from Allnuzhville and comes face to face with want and poverty. As he embarks on a harrowing journey to Lerkim, he realizes that everything Granny Norma has told him is true. Beyond the borders of the ideal city lies a completely different world. Cheney recalls: “When we show the viewer the real world outside the walls of the city, he sees that there are no bright colors in it. Everything is dark blue, light blue and dark lilac... the colors are darker and deeper. But when the viewer sees Truffle Valley, he sees a beautiful green place with blue skies. "
The Lorax provided the design team with many sources to describe Truffle Valley. They could use the color illustrations in the book, look at the shapes, see the animals, the truffle palms and the moving green hills. The most difficult thing was to take a two-dimensional picture and turn it into a full-fledged three-dimensional world where you can walk around the neighborhood, side by side with the Barbalut, the Fire Swan and the Songbirds.
Producer Healy recalls the process of bringing the book illustrations to the screen: “There were a lot of technical challenges in creating the unique Truffle Valley, we wanted it to be unusual, as Dr. Seuss described it, but at the same time natural and natural. Luckily, we had great artists at every level, from the concept design team to the execution, modeling and straightening teams. Each of the steps was a huge addition to the project. We set every shot to make sure the characters were standing in front of the trees in every shot. "
Truffle Valley's signature look is the incredible Truffle Palms used by the Findkins to produce their Allnudes. The designer had a hard time coming up with what the Truffle Palms should look like. He himself recalls: “The very first difficulty was to understand what the crowns of Truffle palms looked like, because in the book they looked like children's spinners on a stick, but then they would only look from one angle. If you turn it over, it loses its shape.
“We had to come up with shots of trees, we had to specially take the crowns of trees and tuck them under the camera to keep the look of the pinwheel that everyone was used to from the book,” he continues, “it took a lot of effort to end up turned out to be a three-dimensional space. Some of the shots are of Findkins coming to the valley for the first time and he is surrounded by thousands of these trees, all of them spinning in the wind and seeming lighter than air. It's incredible both technically and artistically. "
Truffle Valley is being destroyed by Nachodkins and his family, making it impossible to live there. “The book also has many illustrations of a devastated valley, where we see the same valley, only without trees,” adds Cheney. “The sky is no longer blue. It is covered with dark purple and blue clouds, we took these images from the images of the devastated valley and the city of Vsemnouzhville. There was no blue sky, no trees, no flowers. We built the world around these images.”
When Tad leaves town for Lerkim, this is a major moment in the film, one of the most famous of the books. The viewer sees for the first time that Allnuzhville is not the same as it seemed at first. Renault explained, “He comes face to face with the wasteland. The city is surrounded by a huge wall, no one goes outside. Again, we imagined Las Vegas and similar cities in the middle of the desert. Thad can't believe his eyes because he's never seen anything like it. And he goes on his way, past tree stumps and ravines.
Designer Cheney shared with us a fact that attentive film buffs will remember from the book. He noted that if you take a closer look at some of the scenes in the factory, you can see that Lerkim himself is part of the old factory. It's all that's left from the days when Findkins made Vsesnudi. This is a great example of how we took the illustrations from Dr. Seuss's book and made a 3D version of them.
Inside History: Immersing in a 3D World
For the production of The Lorax, animation and CGI were masterfully done by Illumination's latest acquisition, the Paris subsidiary of Illumination Mac Guff, who owns the beautifully executed Despicable Me animated film. The creators did a great job and managed to adapt the classic 2D illustrations of the book, while maintaining authenticity, but at the same time giving the viewer the opportunity to see something completely new.
For the French and American animators, perfect planning had to be done, as Healy says, "a well-oiled machine for creating a world that one wants to keep. " The producer notes: “We worked in different time zones, but we had the whole team that worked on the animated film Despicable Me. At the height of the making of the film, there were about 350 of us sitting on several floors. We were divided into several departments that kept in constant contact, headed by wonderful people.”
From Classical Images to CGI
Although Renaud, Meledandri and Healy had CGI backgrounds, recreating Dr. Seuss's world in graphics was more difficult than their previous work. Meledandri said: “Like when we were filming Horton, we started by looking at Ted's work in detail. When dealing with such a famous and beloved book, there is a great opportunity to transfer the original illustrations to the three-dimensional world. We didn't know if we could do justice to The Lorax until we made the Lorax in 3D, and then we saw that the spirit of the author's illustrations is alive and well in 3D."
Renaud took great care to preserve the visuals of Dr. Seuss when directing the production of the animated comedy. Dr. Seuss is known for his squiggly lines and dilapidated buildings, which are not easy to move into the 3D world. “It was not easy to take the seemingly simple ink illustrations into a 3D world and turn them into full-fledged characters,” explains the director. “Some of the things we brought in was Lerkim’s design, because his picture in the book was so shabby that if you put it up, it would fall apart.”
“We took a lot of care when we created the 3D model,” he continues, “but some of the characters had to be modified to be created from the 3D models. In the book, Findkins are yellow eyes and green hands, so we played a bit with the light. In computer animation, what is often the most successful looks the most realistic. But sometimes you have to squeeze this realism somewhere, because it turns out even too much. For example, Findkins has a bright blue light from behind, but at the same time we can see his eyes. In the real world, we would never see his eyes because the bright light behind him would make everything black. ”
From a technical point of view, creating a CG animated film is much more difficult than creating a simple 2D version, because each frame has to be processed (rendered) twice. The director spoke about the subtleties: “We have always thought about creating a three-dimensional film in order to better convey the world to the viewer. From the point of view of computer graphics and rendering, it is very difficult to create wool, tree crowns, because every tree has a fluffy crown. To make this film in 3D, we thought of everything from the use of wide-angle lenses to shots where we see the world through the eyes of a character, such as the shot of Findkins walking along a river or the Fire Swan flying through the trees.”
Creating a 3D living world from a flat 2D world requires good technical ability and attention to detail. Cheney said: “The tricky part is that you have to take the illustrations of the book and make a three-dimensional world out of those illustrations. Much can be expressed in drawings, but when it comes to creating a three-dimensional space in which to move around, everything must be thought out to the smallest detail: from the pencil sharpener lying on the table, cars and characters, to the appearance of each of the buildings and clouds in the sky. Every small and every big detail must be invented from scratch ... and from all sides.
Not only the design itself, but also the editing of the developed images required months of work for each of the shots. Cheney said: “Someone needs to color and add light to objects and characters. Design plays a huge role in making animated films, as none of it exists in reality. The clothes of the characters must be created, and the material that makes up their clothes must be carefully considered.
What was the biggest technical difficulty in this film? Everything is fluffy! CG Supervisor Bruno Chauffard told us, “The world of Truffle Valley is full of furry things. All the trees have a fluffy crown, the grass is also fluffy, Barbalut has fluffy hair. And we also have a crowd scene where everyone comes to Truffle Valley, and this multifaceted scene was very difficult to handle. When I saw the idea for the project, I was with Chris Reno, and we immediately wondered how we could create such a world . .. because our equipment at that time could not cope with such fine points as wool and hair.
The decision we came to was to abandon traditional thinking and take the most ambitious and reliable action we could then take. Chauffard explained: “We worked very hard to achieve the desired effect. All departments did their best and in the end we were able to create the necessary programs for the final image processing to recreate all the details that are important to us.”
The next difficulty encountered in the production of The Lorax was the number of group scenes. The animation of the singing groups of characters was a new challenge for the team. Healy said: “Another thing that separates the animated comedy The Lorax from Despicable Me is the number of group scenes. We have several group music scenes with 100 or even 200 characters. One of the most difficult tasks is to animate all the characters so that they all play in the scene, but at the same time do not take away the sounds of the main characters. I was very pleased with what we ended up with.”
Creating the effect of presence
Light is as important in computer animation as it is in live performance. The team worked to show the viewer where to look on the screen with the light...just like it does in natural scenery. For example, the animators remembered that in no case should the Lorax be placed in front of the orange truffle palms, because then he will merge with them and become almost invisible.
The team has put a lot of effort into capturing the movement and creating a fully immersive experience for the viewer. CGI Supervisor Chauffard recalls: “We studied the details for a very long time, we needed to understand everything to the smallest detail, the softness of this or that tree crown. I gave some movement to the Truffle Palms to make them look fresh, like they're being constantly twirled by the wind. All the trees in the film are in constant motion... you can feel it. Some of the trees are made in such a way that they move dynamically at the moment when the Findkins cuts them down with his mechanisms, and they fall.
Healy explains that the creation of such an effect for the viewer owes a lot to laser technology: “Wool, Truffle palms, grass and everything required very intensive processing of a huge amount of information, which requires a large amount of data. When they move, even more data is required. When they interact, it's even more difficult. And when fluffy characters interact surrounded by nature - this is generally aerobatics, which requires incredible talent. It takes coding skills and lots of good people to do it all. There was a slight difference between what we came up with in theory and what we created, but we invited technicians at the right time, who figured everything out.”
From the crazy scooter ride through Allnuzhville to the Findkins' escape through the falls with TinyTooth, everything in the film worked to draw the viewer's attention to the film and take them into a true 3D adventure.
Stereograph work John R.A. Benson was to ensure that all elements of three-dimensional graphics could be used to the fullest and captivate the viewer as much as possible. He said, “We wanted to make our characters feel real, like they're standing right in front of you, but not so close that it could cause any negativity. In a movie theatre, you want to look at the space in front of the screen and the screen itself as if it were one whole. We created our film so that you can feel like you are standing right next to the Lorax, as if he is in your living room, and you, in turn, actively participate in the environment in which our heroes live.
Healy explained that with so many elements needed to immerse the viewer, the construction of the film is important. She said: “When there is a lot going on in one scene, when there are many colors in the background, or we are showing complex images of a city with heavy traffic and crowds of people, you need to draw them in such a way that the light, colors and proportions help to separate the characters from the background. . We did this with the utmost care, frame by frame, to make sure we had just the right amount of light to highlight the right subject on the screen. ”
Working with 3D graphics means controlling another dimension. The producer summed up: “When you do stereo, you need to understand that you have to manage another dimension. You need to control not only where your eyes look on the screen, but also how deeply your gaze is directed. We were lucky that we had such a great close-knit team in which everyone understood the importance of creating an impeccable movie for the viewer.”
Let the palm tree grow: Music in the film
Even if the animated comedy The Lorax is not a musical, its authors actively used music to enliven the story and emphasize the spirit of adventure. Explains Chris Meledandri: “The film opens with a musical number from the people of Allnuzhville singing about how much they love their city. 5 or 6 songs intersperse the narrative of the film, giving it additional colors.
Meledandri, Healy and Renaud turned to talented composer John Powell to write music and lyrics for a new film, The Lorax. He is known for his musical work in animated films such as How to Train Your Dragon, Kung Fu Panda and Shrek, as well as in the feature films Hancock, The Bourne Ultimatum, Mr. and Mrs. Smith, where Powell's music plays a very important role. Co-writer and executive producer Cinco Paul wrote the lyrics to 7 songs that were included in the soundtrack. “I had the privilege of working with John Powell on films like Robots, Ice Age: The Meltdown, Horton,” says Meledandri. "He's incredibly talented at melody writing, and he's composed all of the music in our new film."
In the end, the whole team realized that they had created a story that would be interesting for children of all ages. It strikes a delicate balance of entertainment combined with the main message of the original book. Chris Renaud talks about incorporating music into storytelling: “With songs, you can add irony or humor to a story, which allows you to tell an initially rather dark story in an easy and understandable way. Music can give lightness, which is very important for an animated film. We start with the song "All-Nuzhville", which introduces us to the setting, and end with "Let the Palm Tree Grow", which proclaims rebirth. The film starts with celebration and ends with inspiration. These two numbers are the basis of the whole story.”
Findkins plays the guitar and has two solo numbers where he sings along to himself. The love of singing is one of the distinguishing features of his character.
The moment of transition from words to songs must be correctly built within the framework of the narrative so that they are perceived as an organic continuation of the story. Powell explains: “Sometimes we go almost kitsch to show the story we're telling. The introduction is a key moment when we introduce the main character, the Lorax, who enters the frame. It was from this that I started in my work on the music for the film. My task was to combine music and storytelling style. The story itself is quite bizarre, so there are a couple of moments where we break the "fourth wall".
When the people of Vsemnuzhville celebrate the planting of the last truffle seed and after many years watch the rebirth of life, we hear the song "Let the Palm Tree Grow", which is already continued in the credits by the song "Let the Palm Tree Grow (Let there be Peace!)", written by Christopher "Tricky" Stewart, Esther Dean, Cinco Paul, John Powell and Aaron Pierce.
Meledandri recruited producer Tricky Stewart, known for his unexpected and creative lyrics. He has previously collaborated with Beyoncé, Rihanna, Justin Bieber, Christina Aguilera and Katy Perry, and is renowned for creating unforgettable lyrics. Chris Renault shares his impressions of working with Stewart: “When I first heard the hit “Single Ladies”, I thought it was just incredible. It was very unexpected, but it worked 100%. Tricky is a professional of the highest level in different styles of music.”
Stewart talks about the creation of the song's lyrics: “Together with Esther Dean, we took Let the Palm Tree Grow and adapted it. We took the main theme music and made it so that you want to hear it over and over again. It has a great idea, but the song touches the deepest strings of your soul without falling into edification.
"Creating songs for artists is completely different from songwriting in films because as a music producer I have to be very involved in decision-making on issues that people outside of pop culture don't understand," Stewart continues. When you are working on a film, it is completely different. Unlike the record industry, 15-20 super talented people gather here to make one amazing movie, so your ego has to take a backseat. You can't fall in love with something so much that you can't see how else it can be changed because everything is constantly changing and evolving."
Watch the trailer of The Lorax in Russian online
Film portal Ovideo.ru
All reviews of the cartoon "Lorax" (USA, 2012) - Afisha-Kino
All reviews of the cartoon
Dr. Seuss' The Lorax (2012, USA), IMDb: 6.4
- I'll marry him right away (c)
Even the fact that Dr. Suess' films bring in a stable income does not make his works a dream of any producer. After all, "Sussomania", which has long enveloped every American, cannot penetrate the thoughts of Europeans, who are very wary of such a product in the cinema. The authors who ventured to launch such a project are trying to approach the adaptation of Suess with fiction: a well-known actor who voices and plays the main character, the holiday release date of the film, an impressive budget, careful transfer of the plot to the screen, high-quality study of characters, but only The Lorax opens to its creators the way to impressive collections everywhere. How did they do it? Let's take it in order.
Near future. Not a single tree was left on earth, and people gradually forgot what natural beauty and nature are. But everything changes when the boy Ted, who is in love with Audrey, decides to find the "real" tree for her sake. On the advice of his grandmother, he goes in search of Nakhodkinsk, the only person who can help him. Ted will have to go through all the obstacles and risk everything for love.
Directors Chris Reno and Kyle Balda made a kind, bright, family film that is pleasant and interesting to watch at any age. They managed to combine the original story and modern realities, wonderful secondary characters and memorable 3D.
The scriptwriters have expanded the world created by Dr. Suess and added humor proven by Despicable Me to it, diversified the dialogues with "modern buzzwords". The secondary characters, as in the previous draft of the scriptwriters, are so spectacular and "alive" that in some episodes they push the main characters into the background, shining and entertaining the audience throughout the whole picture.
Singing fish, bears, birds, and Melvin the donkey are the perfect answer to Gru's minions from Despicable Me.
The artists tried to create a mix of characters familiar to fans of Dr. Suess from previous adaptations and characters that were present in other projects of Illumination Entertainment.
3D in the cartoon steadily raises the overall level of the picture. It is voluminous, atmospheric and lets viewers into the world of Noujville from the first minutes of the cartoon (first-person action). The beloved by many scenes with throwing objects at the audience are also present in the film in large numbers.
The film's musical accompaniment "flirts" with genres that are not entirely appropriate for a children's cartoon (gospel, rock and roll, jazz), helping the project become more cinematic. Variations on the themes of such iconic bands as Queen and Aerosmith and the playing of the main theme of the film "Mission Impossible" further separate the Lorax from standard Hollywood cartoons.
One thing that should definitely be touched upon when talking about Danny DeVito's new project is dubbing. The authors took the risk of entrusting the well-known actor to voice his role not only in their native English, but also in 4 more languages (Spanish, Italian, German and Russian). This is an undoubted step forward for a more accurate translation of the script, but also ensuring proper interest in the project from European countries.
Russian dubbing, on which a lot of effort, energy and time has obviously been spent, will please anyone who comes to the session. Songs, dialogues and logical translation of titles and names are a vivid example of how distributors should treat any projects that are released in Russian distribution.
When looking at the picture, parallels with the following projects come to mind: “Final Fantasy”, “The True Story of the Red Cap”, “Horton”, etc.
puts pressure on the viewer.
Despite the fact that the original book is over 40 years old, the cartoon itself came out very timely. Political hints and the general atmosphere of the picture accurately and vividly convey what is happening in the world, and in particular in Russia. The cartoon itself is a bright, emotional adventure that gives humanity hope for a positive final result.
March 7, 2012
102 reviews, 133 ratings, rating 709
. While producers continue to argue in the field of filmmaking what is more profitable, to shoot a film in 3D immediately or to transfer it to this format at the post-production stage, animators have long figured out everything for themselves. Spectators of high-quality cartoons in 3D will find an abundance of bright colors or interesting special effects. The available means allow any idea to come to life on the screen, even if it is a furry red meatball from the new animated story "Lorax" (2012).
The works of the American writer Dr. Seuss were loved by Soviet animators, and were also filmed in Hollywood, which already happened with the stories The Grinch Stole Christmas (2000) or Horton (2008). In 1971, the Lorax seemed to be something provocative, especially when it frightened the representatives of the timber industry. In a fairy-tale form, the author reached the genre of ecological satire and now even more actively denounced entrepreneurs who thought only about their own gain. The environmental propaganda there came from the lips of a cute red-haired creature called the Lorax, and now the baton has been taken over by animators from the Illumination Entertainment studio, which has already made a fortune in the film Despicable Me (2010).
However, the events in the original material of the Lorax, if followed exactly, were clearly not enough for a full-length cartoon, so the authors of the script, Ken Daurio and Cinco Paul, boldly decided to invent the missing fragments, expand the scope of the story and even tell about the time the Lorax appeared in the world , invented by Dr. Seuss. The creators treated the literary heritage with extreme care, clung to every drawing of the writer in the margins in search of the right design solutions, and even made the plot understandable to any viewer and did not require knowledge of Dr. Seuss' signature techniques.
The main character of the story is a 12-year-old boy, Ted (Zac Efron). He is ready to do anything to win the love of a nearby girl named Audrey. For the latter, a popular singer in the United States, Taylor Swift, speaks English. Audrey is a true environmental activist of the future. When there is nowhere to save nature, she dreams of her return to the real world. However, the couple lives in the plastic town of "Vsemnuzvill", where there are not even living trees left, but artificial ones are sold for every taste, color, and even with running lights, in case of a disco. All other residents feel quite comfortable here, and are unaware that a gloomy and polluted wasteland dominates outside the city walls.
Audrey promises a kiss to anyone who shows her a real tree, and brave Ted is ready to do anything to deserve such a reward. To do this, the boy will have to go to the old hermit Nahodkins (Ed Helms), who will tell Ted his story about the All-Handy, the invention of a young rake who found grateful buyers. For personal enrichment, Findykins neglected the riches of nature, which angered the mustachioed forester known as the Lorax. However, all the magic of the keeper lies in wise advice, and clever tricks with which he tries to protect nature. A significant role in this is played by all the other inhabitants of the valley, including fish, fellow bear cubs and a large Barbalut, which cannot be called anything other than a bear-like creature.
They are so meticulously involved in the history of the Lorax that they bring new plot twists to it. In general, the authors of this animated picture have a sense of humor, everything is in order. Though it's best not to rely on an uninterrupted stream of laughs here, as the comedic layer is just part of this treat, with a bit of romance and adventure, a few songs, and even a colorful villain. The local seller of clean air, O'Ger (Rob Riggle), does not need the return of living trees to the city and their usual photosynthesis, so he will try to prevent Ted with two bulky bodyguards.
The visual part hints at the animators' clear commitment to certain color palettes. So, there is a lot of orange, purple and even green, but the picture in the movie "Lorax" looks very bright, and the big heads of the characters are even a feature of the corporate identity of Illumination. The story put the authors in a certain framework, therefore, unfortunately, the Lorax is involved only in some of the events directly related to the Findkins and his unceremonious family.
Meanwhile, the distributor decided to surprise the Russian public during dubbing. Actor Danny DeVito voiced the Lorax himself in Russian, and given the significance of the precedent, as well as the abundance of replicas of varying complexity for the keeper of the forest, the famous comedian coped with his task. The title track for the cartoon, Let It Grow (Celebrate The World), was donated to singer Esther Dean. The track turned out to be cheerful and with notes of electronic sound. In addition, this young performer from the United States has already participated in the recording of music for another animated work - "Rio" (2011).
Verdict: The Lorax cartoon captivates not only with a good story, in which the subtext about nature conservation is hidden, but also with its positive mood, as well as the frenzy of bright colors and geometry of shapes on the screen. At the same time, the Russian-speaking Lorax himself and all the plush inhabitants of his magical valley create a unique ensemble of heroes whose appearance in the frame quickly sets you up for a smile.
Full text on GameScope.ru
March 4, 2012
480 reviews, 537 ratings, rating 641
This movie is a must see for everyone!
No matter how skeptical many are about the topic of saving the planet and answering for their actions, this topic is very acute and it needs to be literally hammered into every modern brain.
Beautifully rendered characters, fun music and a very relevant plot.
August 20, 2012
178 reviews, 633 ratings, rating 594
7 A rare cartoon made specifically for children: The Lorax
The tales of Dr. Seuss (Theodor Geisel) are known and loved by kids all over the world. They are very colorful, lively, understandable to children of all ages, but at the same time touch upon important topics of humanism, responsibility, and protection of nature. Russian viewers could see the Horton cartoon about a kind baby elephant who helped tiny creatures living in a flower and, of course, the story of the Grinch who stole Christmas. Both of these films are based on the works of Dr. Seuss. The children's writer was inspired to create The Lorax by a trip to East Africa, the rich and unusual nature of those places. The book was written before the topic of environmental protection received a wide public response. But even then, Geisel knew that the nature around us is as beautiful as it is fragile, and children need to be told about this from a very early age.
Quite happy people live in the wonderful town of Vsemnuzhville. On plastic lawns, artificial trees shimmer with multi-colored bulbs, here you have man-made mountain slopes, and foam fish in lakes. True, it’s better not to swim in the lake, and it’s better not to breathe local air - numerous factories clog both with harmful emissions. But there is a wonderful way out of the situation - the purest air in cylinders from Mr. O'Ger, a successful businessman who holds the whole of All-Nuzhville in his hands. The red-haired girl Audrey knows from the stories that there was once a forest of beautiful truffle palms on the site of the high-walled high-tech All-nuzhville, and thanks to them the air was always clean and transparent. Ted, a boy in love with Audrey, embarks on a perilous journey to learn the story of the destruction of nature and get a real tree for the girl of his dreams.
The cartoon was created based on original illustrations from the book. As a result, the Lorax has an absolutely magical color scheme and literally everything is charmingly fluffy, starting with the main character and ending with truffle palms that resemble huge hairy turntables on a stick. The Lorax himself is a grouchy but very cute orange character with a bushy mustache, voiced by Denis de Vito himself. Dany did his best and voiced the Lorax in five languages. As a result, the already characteristic character came out even more textured, a kind of alien from distant lands. Children, no doubt, will like him and other touching characters: clumsy gluttonous bears and singing fish who sing songs for every occasion. Boy Ted and girl Audrey, whose touching relationship the audience will also have to watch, are named after the author of the book Theodor Geisel and his wife, who invariably inspired her husband to write new stories for children.
I am extremely happy every time when animated films made for children are released. I would like to believe that The Lorax will not be the last film adaptation of the books of Dr. Seuss, who very skillfully combines beauty, simplicity and didactics. There are wonderful songs in the cartoon, some of which, however, suffered after translation and rehashing in Russian. When the characters sang in chorus, it was difficult for even me to make out the words, for children, I'm afraid, this will become an impossible task at all. But this is just a small flaw to which you can cling. But after watching the movie, parents will have an excellent opportunity to start the first conversations with their kids about nature and its benefits for people, about pollution of the planet and how to avoid it, that a dream is good, but you should always think about the consequences of actions that you make on the way to it.
Verdict: good colorful children's cartoon. Take the kids to the movies and you will certainly enjoy watching it yourself. Mike From Moscow My 4-year-old daughter really enjoyed it, and I was not bored either. The right combination of ingredients - jokes, tricks and music - gave a very good result.
True, I'm not sure that in the absence of a child I would also be interested:) children's cartoon. Spinning around the voice of De Vito, who suddenly spoke in Russian, is rather strange. 3D is justified only by the trailer of the second part of "Despicable Me", nothing flies, does not protrude from the screen, and the mustache is poorly drawn. No one is advised to go, it is better to treat the kids with Kinder Surprise.
P.S.: Yes, I completely forgot to say, it's not funny, but they sing strangely. March 12, 2012 (a la musical), from which there is an irresistible desire to dump from the cinema at the same moment!
March 20, 2012
404 reviews, 420 ratings, rating 319
Take care of nature
- your mother!
Perhaps this cartoon could become almost a reference propaganda video-horror story from the greens, who scare the whole world with how a person adversely affects nature, etc. etc...
But as a cartoon - very boring and uninteresting. The impression left is that you have just been brainwashed by the whole army of the greens together, and this cartoon seemed to have been made by their order and at their expense...
March 10, 2012
236 reviews, 256 ratings, rating 290
A kind and good cartoon that tells about very important things. But he does it a little too straightforward, a little too edifying, not very fabulous, because it is very predictable. Perhaps this straightforwardness and predictability makes it a little bit boring for adults. The kids seemed to be very happy. That's a little separated him from genius, in my opinion.
March 8, 2012
126 reviews, 126 ratings, rating 281
“The Lorax” turned out to be bright, very cheerful and funny, in no small part thanks to the voice acting Danny DeVito in Russian of his character! The cartoon will delight you with 3D quality, funny characters, a fascinating story and an important ecological meaning embedded in the work.
Spirit of the Living Forest
A colorful cartoon about how important it is to take care of nature, and that all technical tricks cannot replace the living world around, an exciting and fun three-dimensional adventure unfolds like a real beautiful fairy tale, with bright characters and amazing humor.
But first of all, I would like to note not even the ecological meaning, morality or funny forest animals, but the fact that for the first time in many, many years in the cartoon, pleasant songs succeeded with colossal splendor, really memorable and remain in memory for a long time, elegantly written and very groovy! The opening song about the city of Vsemnuzhville and the final composition “Let it grow!” sure to be remembered for a long time and will pop up in memory again and again with their groovy rhythm and excellent text.
Of course, in addition to the wonderful musical accompaniment, one cannot help but focus on Danny DeVito, who voiced his hero - the fluffy Lorax in the original, but also in many other languages such as German, Spanish, and, most importantly, in Russian! The accented, touching red-haired Lorax is a marvel of charm and a hilarious set of phrases and jokes, regularly surrounded by funny situations.
Who knows how far the potential future shown in the cartoon lives according to the technical laws of the stability of capitalism, when behind the high walls of the industrial city it is no longer visible how nature is dying, how all the forests have been cut down and not a single tree remains. But there are always people who are ready to go against a terrible system, against pseudo-stability and limits. The young generation, demanding freedom, starts a brilliant revolution against the unfolding regime and for the sake of restoring the beauty of the world around. Freedom, denoted here by air, since trees produce oxygen completely free of charge and naturally, and the totalitarian tycoon - the owner of the city, sells air to local residents for money, profiting from the needs of people.
A revolutionary and rebellious tale with morality about caring for the environment rushes into the distant past, when the trees were still big, real and alive, full of cute bear cubs, wonderful cute fish and other living creatures, and a person who decided to cut down a tree (obsessed with a thirst to get rich) summons a mysterious and mystical creature. The furry and mustachioed Lorax, the spirit of the living forest, the protector of nature and the main conscience of the environment, repeatedly tries to ban deforestation, warning of the consequences before it's too late . ..
The general drama of the devastation of the green areas is presented in an environment of hilarious jokes and comical scenes. Funny bears take the soul with their naivety and charm, and wonderful fish sing famous movie melodies and amuse with their various antics. The human characters came out clear and simple, sometimes slightly caricatured, but still very pleasant and cute in terms of their design and animation work.
Pleasant animation in such a wonderful story is even more delightful, and in addition to all the comical elements, there are quite a few simply exciting adventures, chases, intrigues and already highly praised musical numbers. Many supporting characters complement the overall picture so gracefully and humorously that without them the cartoon would have been completely different. Here everything is thought out to the smallest detail and very integrally collected into one deep and beautiful story. “Lorax” is a fabulous, funny and useful cartoon for both children and adults. It is a real pleasure to watch and review such wonderful animated pictures!
March 9, 2012
179 reviews, 270 ratings, rating 269
I also like this actor and his talent. And of course he would be in the program "Spotlight Paris Hilton." There were 3 of us in the hall. Although during these long holidays it was impossible to get to the film due to lack of tickets. And someone complains that they stop going to cinemas.
Perhaps this is a very rare film preaching respect for nature. And what money can do even with a good person. Of course, not only money, but also relatives who consider you a loser incapable of anything. There is nothing wrong with cutting down one tree. But, where one there and all. And a world devoid of such a miracle turns into a truly terrible place. In other words, one boy fell in love with a girl, and she promised her heart to the one who would show her the last tree in the world. So the search begins with magic and unusual adventure stories. The story is told on behalf of the one who destroyed the trees. And now he is trying to fix everything: in this world there is a defender of the forests Lorax. Of course, he could drive a person away with the help of magic, but there are always rules and it is impossible to solve all problems by moving a conventional magic wand. The person himself must understand the error and solve it, well, or help someone else in this. We all live in a world where everyone depends on the other. These connections must not be broken otherwise life itself and natural wonders will perish. And suddenly you realize that love can work a miracle.
Lorax is perhaps the collective image of all ecologists, like two lovers. Very cute, beautiful and kind cartoon. Where Danny DeVito, along with the Spanish version, voiced his hero himself. In principle, everything is saturated with a feeling of love for nature, and villain No. 2 turned out to be very caricatured (small, fat, but at least not bald). Go with the children, they will love this work with problems that will be of interest to everyone who does not want to be indifferent.
March 13, 2012
103 reviews, 232 ratings, rating 222
7Who is the Lorax
Bright, colorful, memorable and funny cartoon with a fictitious electrified city without greenery, without animals, without sun and with an unusual defender of all living things, a furry redhead Lorax .
The cartoon is based on the book of Dr. Seuss . Whatever they say, all cartoons are a direct message to both children and adults, and sometimes it is the latter in the first place. The theme of the environment, the fight against various forms of pollution, the survival of the animal world is often touched upon in films and in life. Pixar 9 was the best in every way0017 "Wally" . They clearly and realistically showed the progress we are striving for.
According to the researchers, in 5 billion years our galaxy will mix with the Andromeda cluster. We will not catch this with you, but the fact that it is impossible to live without oxygen is understood and felt by everyone. Accordingly, how one can breathe in a city where there is not a single living leaf, not a single real green blade of grass, not a single live mosquito is not clear, plus, under such conditions, the source of water remains unknown.
The ecological theme has been raised by people for a very long time. Lorax is another reminder to ourselves. Who we are, what we depend on. That everything in nature is interconnected and, like in the food chain, the disappearance of one type of tree can lead to catastrophic consequences.
As for the idea of voice acting Danny DeVito one of the main characters, it justified itself in the best possible way. Clear and understandable speech with a slight pleasant accent. The character himself is the conscience of all living things. He speaks on behalf of the trees so that people can hear it. But he is not responsible for their actions and, unfortunately, he does not have a magic shelf. This is the same one-man cry from the crowd towards the opposition, which can not always be heard.
Pro Nakhodkins . The collective image of a person who, at the beginning of his pure and good intention, continues to communicate with greedy people, overgrown with skin and forgets about the most important, dearest and loses his true self. This is such a snowball, which is already easier not to stop. Power corrupts, no matter what form it takes.
All animals are wonderfully drawn. This is something kids will definitely appreciate. Pleasant music. And like a new "good" pop song - boring words. This is the manner of performing choral church singing in Western countries. It is generally better not to duplicate foreign songs. Subtitles could well be limited.
May 13, 2012
126 reviews, 144 ratings, rating 207
Sometimes funny, sometimes failed. The broken Russian DeVito remained a mystery to me - what was the point of doing this, I did not understand. Very funny animals, cute granny of the main characters, the plot is unclear and primitive. But... I didn't get bored, counting the minutes to the end, like on "The Secret of the Red Planet" or, God forbid, the Smurfs. So take your child and don't be afraid to go.
March 18, 2012
142 reviews, 178 ratings, rating 201
You can just watch in HD! I was very surprised by the Russian voice of De Vito !!!
March 12, 2012
118 reviews, 185 ratings, rating 193
A good children's cartoon.
The entire plot is shown in the trailer.
Beautiful pictures, funny little animals - all this will please your child and possibly you.
If you are tired of everything and you need something colorful to flash before your eyes for an hour and a half.
There is no intrigue in the film, which means that it looks smooth and calm and is not particularly memorable in an hour after viewing.
In a week you won't even remember what it is =)
March 24, 2012
69 reviews, 496 ratings, rating 181
If in one sentence - soft, fluffy,
very stupid unbelievably touching, unjustifiably tortured at first, and then suddenly from scratch became a happy action with poisonous bright colors and very funny invented characters. Yes! And with irreparably bad lyrics a la songs (verbal noise to the music).
If in one phrase - "chemical lollipop". And no really visible healthy ecological idea, and no unexpected voice acting of this product can save. Watching in places is interesting, in places sad, and now, well, never - not funny. Such is the "triple" result ... It's a shame.
March 15, 2012
40 reviews, 46 ratings, rating 169
Most of all it tastes like plastic porridge. Almost not funny. De Vito - why? Political correspondent. But - saving that non-existent plant - this is a nod to industry.
Animation of the average of the average. Antagonists, protagonists, extras and a cheerful grandmother.
Plastic, soulless standard plastic. Not childish. Not an adult. No.
March 29, 2012
89 reviews, 237 ratings, rating 148
Impressive special effects and a beautiful picture. In principle, good content and there are funny jokes. But something from the constant bang and bang was not comfortable for the child. And he didn't quite appreciate De Vito's accent either) Maybe I shouldn't have gone to Imax 3D and it looks better in normal 3D. Nevertheless, even adults have been moving away for more than one hour from what they saw almost a real spectacle of hamsters flying in front of their noses, axes and the feeling of an apocalyptic chair rattling under them)
March 8, 2012
86 reviews, 135 ratings, rating 141
Take care of mother nature! this cartoon could have such a slogan) except for saving trees and a unicycle, it didn’t endure anything) - the story is extremely boring with a huge amount of ridiculous chatter.
March 2, 2013
96 reviews, 96 ratings, rating 132
The Lorax. Cartoon. In a fictitious city, there are big problems with the environment, although everything is fresh and bright, trees and greenery have long died out, and clean air is sold in bottles. A little boy in love wants to give his girlfriend a gift and give her a real tree, but for this he must find out what happened to his city. He quickly finds the culprit of the ecological catastrophe, but in order to get the last seed of the tree, he needs to listen to the story-confession of a long-repentant old man.
Either the cartoon is just for children, or it's not a cartoon, but stupidity. Yes, the ecological subtext is visible. Take care of the forests, otherwise you will live without them. But the way in which this idea is presented to children is so stupid that it can be completely misunderstood. And the world of heroes is completely divorced from the real, which means that we still need to draw parallels. Their trees resemble cotton candy, and the only animals they have are flying fish and lop-eared cubs. The protagonist - Lorax, the protector of trees, is very episodic and appears only in the story of the old man. The cartoon gives the impression of delirium - there is no clear plot, history, characters and intention. Didn't like it. 1.5 points out of 5 with a discount for the fact that the cartoon was a priori intended for children.
23 23 2012
210 reviews, 341 assessments, rating 116
- "Artificial environment" - "Artificial environment" "Life Under the Hood"
- "Something in common with Wall-E"
- "Well, yes, Dani DeVito spoke Russian"
pf ... singing fish, the eternal problem of choosing between what is more important - "water or diamonds", financial bigwig addicted to sweets, and the soundtrack itself is not bad. Oh, these fish))) But, to be honest, the ideas of the earthlings were not fully imbued. Trees from which you can knit something remotely resembling a scarf. Zemnushka? Yes, anything! Although the same machine invented by a wanderer is designed to give birth to the same tree substitutes. Whose idea he was imbued with cutting down the first tree.
July 27, 2012
71 reviews, 365 rating, rating 110
I liked the cartoon. I was pleased with the voice acting of the Lorax - Danny de Vito. It is the accent that gives his character personality. One of the director's goals is to show the problem of cities and deforestation. Worth going with children
March 16, 2012
63 reviews, 80 ratings, rating 101
Actual plot, cute characters and a complete sense of the "sleepy kingdom" something like scarves ruined the environment (in company with mimics, singing fish and phlegmatic birds, plus a mustachioed Lorax), the rest of the time there are like adventures that we have seen dozens, if not hundreds of times, and even in the best possible way.